![]() ![]() In 1886, she married her dresser, Annie Ryan. theatre was Annie Hindle, who started performing in New York in 1867. The first popular male impersonator in U.S. Actress and playwright Susanna Centlivre appeared in breeches roles around 1700. In theatre and opera, there was a tradition of breeches roles and en travesti. It was revived in the late 19th and 20th centuries as the ban on actresses was loosened. ![]() This continued through to the early Qing dynasty, when the Qianlong Emperor banned actresses from performing in 1722. In China, the practice of "female men " ( kunsheng see also sheng roles), where women portrayed men in stage performances, were first documented during the middle Tang dynasty (617–908 CE). While the term drag king was first cited in print in 1972, there is a longer history of female performers dressing in male attire. Drag king character Macho (far right) in the "America" number of Wild Side Story in Los Angeles in 1977. History and terminology A 1907 sheet music cover of "I'm Afraid to Come Home in the Dark" featuring singer and male impersonator Hetty King. Starting in the mid-1990s, drag kings started to gain some of the fame and attention that drag queens have known. In the late 1800s and early 1900s, several drag kings became British music hall stars and British pantomime has preserved the tradition of women performing in male roles. Drag personas that combine both stereotypically masculine and feminine traits are common in modern drag king shows. Drag kings may also perform as personas that do not clearly align with the gender binary. Drag kings often perform as exaggeratedly macho male characters, portray characters such as construction workers and rappers or they will impersonate male celebrities like Elvis Presley, Michael Jackson and Tim McGraw. A typical drag show may incorporate dancing, acting, stand-up comedy and singing, either live or lip-synching to pre-recorded tracks. As documented in the 2003 Journal of Homosexuality, in more recent years the world of drag kings has broadened to include performers of all gender expressions. Drag kings have historically been mostly female performance artists who dress in masculine drag and personify male gender stereotypes as part of an individual or group routine. ![]()
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